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Course Materials - Download First

• Download Guide

• Read Me - Course Materials

• Course Materials

• Course Materials | Alternative Option

• Course Materials | Alternative Option 2

• 03 Create a New Database for FCM

• 04 Importing Projects in the FCM Database

• 05 How FCM Projects are set up in Resolve

• 06 Footage Rules

INTRODUCTION

• 01 Welcome to FCM

• 02 What to expect from FCM

• 03 FCM Overview

• 04 Take Notes

• Video Updates and Course Philosophy

• 05 Private Group Access

• 06 My Contact Info

FCM Discounts & Perks

• Discount Coupons

• Get a Hefty Discount on Qazi's Toolkit

• How to get 30%OFF on FilmConvert

• How to get 10%OFF on DaVinci Resolve

• How to get 40%OFF on Shotdeck

• Affiliate Opportunity

Crash Course for Colorists

• 01 Must Watch Before the Modules

• 02 The Crash Course for Colorists

DaVinci Resolve 17 - WHAT'S NEW

• Cut Page - Live Preview

• Cut Page - Safe Area

• Cut Page - Timeline Resolution

• Cut Page - Smart Reframe

• Cut Page - Quick Export

• Edit Page - Detect Scene Cuts

• DaVinci Color Science

• RCM Presets

• Node Numbering

• Custom Curves Window Expansion

• New Scopes

• HDR Palette

• Primaries Palette

• Color Warper

• Sat vs Lum Curve

• New Features Tutorial

DaVinci Resolve 18.5 - WHAT'S NEW

• Create Subtitles From Audio

• Color Space Transform Swap

• Super Scale

• Transcribe Audio

• Single Node Composite Mode

• Remote Monitoring

• Relight FX

10 Tips to Grade 10x Faster in DaVinci Resolve

• 01 Pre-Conformed EDL

• 02 SOCP

• 03 Scopes

• 04 Powergrade

• 05 Vectors

• 06 Remote Grading

• 07 Active Playheads

• 08 Shared Node

• 09 Neighboring Clips

• 10 Keyboard Shortcuts

Color Grading Mistakes You Can't Afford to Make

• Your Camera RAW Settings Are Wrong

• Your Node Tree Is a Mess

• You're Butchering Contrast and Exposure

• Your Skin Tones Look OFF

• Your Blockbuster Teal & Orange Look is Amateur

• How to remove noise in the fastest possible way inside DaVinci Resolve

• How do you paste grades from the previous timeline to the new timeline

• How to protect your highlights when pushing your look

• How do I add saturation to skin tones without making them too digital

• What is the easiest and fastest way to bring your footage into Resolve and start grading

• What's the difference between Qazi's Toolkit or Creative LUTs

• Practice Footage.zip

Resolve Overview for Colorists

• Media Page Overview

• Edit Page Overview

• Color Page Overview

• Deliver Page Overview

Module 1: CONFORM

• 01 Most Common Ways to Conform

• 02 NLE to Resolve Timeline Prep - Round Trip

• 03 Conforming Camera Original Footage - Round Trip

• 04 Round Trip Method 1

• 05 Round Trip Method 2

• 06 Colored Footage from Resolve to NLE

• 07 NLE to Resolve Timeline Prep - Bake and Blade

• 08 Bake and Blade Method 1

• 09 Bake and Blade Method 2

• 10 Conforming Transcoded Footage - Round Trip

• 11 Music Video - Bake and Blade

• 12 Bake and Blade Advanced Tips

• 13 Pre-conformed EDL

• 14 Color Trace

• 15 Recap

• 16 Conclusion and Recommendations

• 17 Exercise

DaVinci Resolve NODES 101

• Serial Node

• Layer Mixer

• Parallel Mixer

• Outside Node

• Key Mixer

• Shared Node

• Timeline Node

• Master DaVinci Resolve Node Tree

Module 2: CAMERAS

• 01 Intro

• 02 Camera Lineup

• 03 Camera Cheat Sheet

• 04 How to Install LUTs

• Camera + Creative LUTs

• 05 Project Overview

• 06 Pre-Grading Prep

• 07 Alexa Mini

• 08 RED Dragon

• 09 Canon C200

• 10 Panasonic GH5

• 11 BMPCC 4K

• 12 Sony a6500

• 13 DJI Inspire 1

• 14 Camera Ranking

• 15 Recap

• 16 Conclusion and Recommendations

• 17 Exercise

• Sample Footage from ARRI's Website

• Sample Footage from RED's Website

• Sample Footage from BMD's Website

Module 3: COLOR CORRECTION

• 01 Why You Must Know Color Correction

• 02 Color Correction vs Color Grading

• 03 Project Overview

• 04 Make it Pop

• 05 Understanding Scopes

• 06 Proper White Balance

• 07 Proper Exposure

• 08 Analyzing Images for Color Correction

• 09 What is a Lookbook?

• 10 Take Notes

• 11 People

• 12 Landscape

• 13 Products

• 14 Rec.709

• 15 Recap

• 16 Conclusion and Recommendations

• 17 Exercise

Module 4: SHOT MATCHING

• 01 What is Shot Matching?

• 02 Why You Must Know Shot Matching

• 03 How to Get Better at Shot Matching

• 04 Project Overview

• 05 Necessary Tools for Shot Matching

• 06 Gallery Stills/ Memories

• 07 Split Screen

• 08 Group Clips

• 09 Local Vs Remote Grades

• 10 Lightbox - Send to SDI

• 11 Take Notes

• 12 Same Camera

• 13 Blind Date

• 14 Hypesandwich

• 15 Different Cameras

• 16 The Great Ride

• 17 The Qazman

• 18 Recap

• 19 Conclusion and Recommendations

• 20 Exercise

Module 5: COLOR GRADING

• 01 What is Color Grading?

• 02 Why You Must Know Color Grading

• 03 What You Will Get Out of This Module

• 04 Million $ Tips on Color Grading pt1

• 05 Million $ Tips on Color Grading pt2

• 06 Analyze Footage

• 07 Project Overview

• 08 Generic Grading Lookbook

• 09 Most Used Tools for Grading

• 10 Commercials & Music Videos

• 11 Adidas

• 12 Holiday Season

• 13 Oakley

• 14 Girls Have Fun

• 15 I'm The One

• 16 Hollywood Looks

• 17 Hobbs & Shaw / John Wick

• 18 La La Land

• 19 Sicario

• 20 Atomic Blonde

• 21 Old School Hollywood Looks

• 22 Film Looks using LUTs

• 23 Recap

• 24 Conclusion and Recommendations

• 25 Exercise

Film Look Secrets

• Film Look Secrets - Course Materials

• Film Look Secrets

Advanced Film Emulation Process

• How to Properly Use Resolve's Film LUTs

• How to Create Halation & Texture

• Best Practices for Film Emulation

Intro to HDR Ready Workflow

• 01 Hollywood's Most Popular FPE

• 02 Project Set Up

• 03 Setting Up Scopes Like a Pro

• 04 Custom Techniques to Stress Testing Your LUTs

• 05 Future Proof LUTs for HDR & ACES Workflows

• 06 Balance Footage in Seconds with Printer Lights

• 07 HDR Ready Node Tree

• 08 Exporting Dolby Vision Trim for Netflix

• 09 Pro Tip when Saving a Powergrade

ACES for Beginners

• 01 What is ACES?

• 02 Why was ACES developed?

• 03 ACES Characteristics

• 04 ACES 2065-1 vs ACEScct

• 05 ACEScc vs ACEScct

• 06 ACES solution for Film Negative

• 07 Why Netflix is switching to ACES?

• 08 How to set up your project in ACES?

• 09 How to grade your footage in ACES?

• Practice Footage - Download Link

Module 6: STUDIO SETUP

• 01 What Makes a Grading Studio

• 02 Why You Need a Grading Studio

• 03 Bare Minimum

• 04 Research Tools

• 05 What to Expect From This Module

• 06 Broke

• 07 Comeup

• 08 Baller

• 09 System Optimization Hacks

• 10 Delivery Settings

• 11 Remote Grading

• 12 Grading Studio Paint Color Recommendations

• 13 Productivity Apps

• 14 Freebies

• 15 Recap

• 16 Conclusion and Recommendations

• 17 Exercise

Module 8: BONUS

• Bonus Download Guide

• Course Materials | Download First

• Balance the Footage using Scopes

• Clean White Look

• Perfect Skin Tones from Sony S-Log 8-bit Footage

• Creamy Film Look

• Gamma Shift Fix

• Best Export Settings for Web

• How to Import Shotdeck Stills in Resolve

• How to Work Remotely

• Minimum System Requirements

• Do I Need Resolve Studio?

• Color Trace

• How to make Resolve run 75% FASTER

• THIS will Instantly make your Grades look 85% BETTER

• Practice Footage - This will Instantly make your Grades 85% better

• Why does YOUR 8-bit footage look like sh###

• A Decade Old Plugin Beats Resolve's AI Noise Reduction

• Practice footage - A Decade Old Plugin

• How to get PERFECT Skin Tones Every Time

• Practice Footage - How to get Perfect Skin Tones

• The ultimate Contrast Masterclass

• Practice Footage - The Ultimate Contrast Masterclass

• Why lift Gamma Gain is Ruining Your Footage

Module 7: FREELANCE

• 01 What to Expect From This Module

• 02 Why You Should Consider Freelancing

• 03 What It Takes to Become a Freelancer

• 04 Is Freelancing For You?

• 05 Dos And Don'ts of Freelancing

• 06 Steps to Becoming Employable - Demo Reel

• 07 Steps to Becoming Employable - Website

• 08 Steps to Becoming Employable - Social Media

• 09 What It Takes to Get Hired - Advice For New Filmmakers

• 10 What It Takes to Get Hired - Be Bullish

• 11 What It Takes to Get Hired - Resources to Find Work

• 12 How to Get Paid Through Social Media

• 13 How to Get Paid Through Social Media - Exposure

• 14 How to Get Paid Through Social Media - Outreach

• 15 How to Get Paid Through Social Media - Content Strategy

• 16 High-End Client Strategies

• 17 High-End Client Strategies - Collaboration

• 18 High-End Client Strategies - Offer Value

• 19 High-End Client Strategies - Work For Free

• 20 High-End Client Strategies - Ask For It

• 21 FAQs

• 22 FAQs - How Do I Get Clients?

• 23 FAQs - How Much Should I Charge For a Project?

• 24 FAQs - How Do I Start Freelancing?

• 25 FAQs - How Do I Prep an Invoice

• 26 FAQs - How Do I Negotiate a Rate?

• 27 FAQs - Should I Work With an Agency?

• 28 FAQs - How Do I Deal With Difficult Clients?

• 29 FAQs - When Should I Charge My Client?

• 30 FAQs - How Do I Build a Rolodex?

• 31 The Final Nugget

Module 9: YOUTUBE

• YouTube Download Guide

• How to get the JOKER look Part 1

• How to get the John Wick look

• Juice it up | Commercial vs. Film Grading

• How to get the James Bond look

• Grading YOUR Footage Planet X

• How to get the PARASITE look

Module 10: PROFESSIONAL WORK

• XXIO - TV COMMERCIAL

• XXIO - How to get the Commercial look

• LAZEM - MUSIC VIDEO

• LAZEM - How to get the Music Video look

• Life on the Line - DOCUMENTARY

• LIFE ON THE LINE - How to get the Documentary look