Freelance Colorist
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Course Materials - Download First
- Download Guide
- Read Me - Course Materials
- Course Materials
- Course Materials | Alternative Option
- Course Materials | Alternative Option 2
- 03 Create a New Database for FCM
- 04 Importing Projects in the FCM Database
- 05 How FCM Projects are set up in Resolve
- 06 Footage Rules
INTRODUCTION
- 01 Welcome to FCM
- 02 What to expect from FCM
- 03 FCM Overview
- 04 Take Notes
- 05 Private Group Access
- 06 My Contact Info
FCM Discounts & Perks
- Discount Coupons
- How to get 30%OFF on FilmConvert
- How to get 10%OFF on DaVinci Resolve
- How to get 40%OFF on Shotdeck
- Affiliate Opportunity
Crash Course for Colorists
- 01 Must Watch Before the Modules
- 02 The Crash Course for Colorists
DaVinci Resolve 17 - WHAT'S NEW
- Cut Page - Live Preview
- Cut Page - Safe Area
- Cut Page - Timeline Resolution
- Cut Page - Smart Reframe
- Cut Page - Quick Export
- Edit Page - Detect Scene Cuts
- DaVinci Color Science
- RCM Presets
- Node Numbering
- Custom Curves Window Expansion
- New Scopes
- HDR Palette
- Primaries Palette
- Color Warper
- Sat vs Lum Curve
- New Features Tutorial
10 Tips to Grade 10x Faster in DaVinci Resolve
- 01 Pre-Conformed EDL
- 02 SOCP
- 03 Scopes
- 04 Powergrade
- 05 Vectors
- 06 Remote Grading
- 07 Active Playheads
- 08 Shared Node
- 09 Neighboring Clips
- 10 Keyboard Shortcuts
Resolve Overview for Colorists
- Media Page Overview
- Edit Page Overview
- Color Page Overview
- Deliver Page Overview
Module 1: CONFORM
- 01 Most Common Ways to Conform
- 02 NLE to Resolve Timeline Prep - Round Trip
- 03 Conforming Camera Original Footage - Round Trip
- 04 Round Trip Method 1
- 05 Round Trip Method 2
- 06 Colored Footage from Resolve to NLE
- 07 NLE to Resolve Timeline Prep - Bake and Blade
- 08 Bake and Blade Method 1
- 09 Bake and Blade Method 2
- 10 Conforming Transcoded Footage - Round Trip
- 11 Music Video - Bake and Blade
- 12 Bake and Blade Advanced Tips
- 13 Pre-conformed EDL
- 14 Color Trace
- 15 Recap
- 16 Conclusion and Recommendations
- 17 Exercise
DaVinci Resolve NODES 101
- Serial Node
- Layer Mixer
- Parallel Mixer
- Outside Node
- Key Mixer
- Shared Node
- Timeline Node
- Master DaVinci Resolve Node Tree
Module 2: CAMERAS
- 01 Intro
- 02 Camera Lineup
- 03 Camera Cheat Sheet
- 04 How to Install LUTs
- Camera + Creative LUTs
- 05 Project Overview
- 06 Pre-Grading Prep
- 07 Alexa Mini
- 08 RED Dragon
- 09 Canon C200
- 10 Panasonic GH5
- 11 BMPCC 4K
- 12 Sony a6500
- 13 DJI Inspire 1
- 14 Camera Ranking
- 15 Recap
- 16 Conclusion and Recommendations
- 17 Exercise
- Sample Footage from ARRI's Website
- Sample Footage from RED's Website
- Sample Footage from BMD's Website
Module 3: COLOR CORRECTION
- 01 Why You Must Know Color Correction
- 02 Color Correction vs Color Grading
- 03 Project Overview
- 04 Make it Pop
- 05 Understanding Scopes
- 06 Proper White Balance
- 07 Proper Exposure
- 08 Analyzing Images for Color Correction
- 09 What is a Lookbook?
- 10 Take Notes
- 11 People
- 12 Landscape
- 13 Products
- 14 Rec.709
- 15 Recap
- 16 Conclusion and Recommendations
- 17 Exercise
Module 4: SHOT MATCHING
- 01 What is Shot Matching?
- 02 Why You Must Know Shot Matching
- 03 How to Get Better at Shot Matching
- 04 Project Overview
- 05 Necessary Tools for Shot Matching
- 06 Gallery Stills/ Memories
- 07 Split Screen
- 08 Group Clips
- 09 Local Vs Remote Grades
- 10 Lightbox - Send to SDI
- 11 Take Notes
- 12 Same Camera
- 13 Blind Date
- 14 Hypesandwich
- 15 Different Cameras
- 16 The Great Ride
- 17 The Qazman
- 18 Recap
- 19 Conclusion and Recommendations
- 20 Exercise
Module 5: COLOR GRADING
- 01 What is Color Grading?
- 02 Why You Must Know Color Grading
- 03 What You Will Get Out of This Module
- 04 Million $ Tips on Color Grading pt1
- 05 Million $ Tips on Color Grading pt2
- 06 Analyze Footage
- 07 Project Overview
- 08 Generic Grading Lookbook
- 09 Most Used Tools for Grading
- 10 Commercials & Music Videos
- 11 Adidas
- 12 Holiday Season
- 13 Oakley
- 14 Girls Have Fun
- 15 I'm The One
- 16 Hollywood Looks
- 17 Hobbs & Shaw / John Wick
- 18 La La Land
- 19 Sicario
- 20 Atomic Blonde
- 21 Old School Hollywood Looks
- 22 Film Looks using LUTs
- 23 Recap
- 24 Conclusion and Recommendations
- 25 Exercise
Film Look Secrets
- Film Look Secrets - Course Materials
- Film Look Secrets
Advanced Film Emulation Process
- How to Properly Use Resolve's Film LUTs
- How to Create Halation & Texture
- Best Practices for Film Emulation
Intro to HDR Ready Workflow
- 01 Hollywood's Most Popular FPE
- 02 Project Set Up
- 03 Setting Up Scopes Like a Pro
- 04 Custom Techniques to Stress Testing Your LUTs
- 05 Future Proof LUTs for HDR & ACES Workflows
- 06 Balance Footage in Seconds with Printer Lights
- 07 HDR Ready Node Tree
- 08 Exporting Dolby Vision Trim for Netflix
- 09 Pro Tip when Saving a Powergrade
ACES for Beginners
- 01 What is ACES?
- 02 Why was ACES developed?
- 03 ACES Characteristics
- 04 ACES 2065-1 vs ACEScct
- 05 ACEScc vs ACEScct
- 06 ACES solution for Film Negative
- 07 Why Netflix is switching to ACES?
- 08 How to set up your project in ACES?
- 09 How to grade your footage in ACES?
- Practice Footage - Download Link
Module 6: STUDIO SETUP
- 01 What Makes a Grading Studio
- 02 Why You Need a Grading Studio
- 03 Bare Minimum
- 04 Research Tools
- 05 What to Expect From This Module
- 06 Broke
- 07 Comeup
- 08 Baller
- 09 System Optimization Hacks
- 10 Delivery Settings
- 11 Remote Grading
- 12 Grading Studio Paint Color Recommendations
- 13 Productivity Apps
- 14 Freebies
- 15 Recap
- 16 Conclusion and Recommendations
- 17 Exercise
Module 8: BONUS
- Bonus Download Guide
- Course Materials | Download First
- Balance the Footage using Scopes
- Clean White Look
- Perfect Skin Tones from Sony S-Log 8-bit Footage
- Creamy Film Look
- Gamma Shift Fix
- Best Export Settings for Web
- How to Import Shotdeck Stills in Resolve
- How to Work Remotely
- Minimum System Requirements
- Do I Need Resolve Studio?
- Color Trace
Module 7: FREELANCE
- 01 What to Expect From This Module
- 02 Why You Should Consider Freelancing
- 03 What It Takes to Become a Freelancer
- 04 Is Freelancing For You?
- 05 Dos And Don'ts of Freelancing
- 06 Steps to Becoming Employable - Demo Reel
- 07 Steps to Becoming Employable - Website
- 08 Steps to Becoming Employable - Social Media
- 09 What It Takes to Get Hired - Advice For New Filmmakers
- 10 What It Takes to Get Hired - Be Bullish
- 11 What It Takes to Get Hired - Resources to Find Work
- 12 How to Get Paid Through Social Media
- 13 How to Get Paid Through Social Media - Exposure
- 14 How to Get Paid Through Social Media - Outreach
- 15 How to Get Paid Through Social Media - Content Strategy
- 16 High-End Client Strategies
- 17 High-End Client Strategies - Collaboration
- 18 High-End Client Strategies - Offer Value
- 19 High-End Client Strategies - Work For Free
- 20 High-End Client Strategies - Ask For It
- 21 FAQs
- 22 FAQs - How Do I Get Clients?
- 23 FAQs - How Much Should I Charge For a Project?
- 24 FAQs - How Do I Start Freelancing?
- 25 FAQs - How Do I Prep an Invoice
- 26 FAQs - How Do I Negotiate a Rate?
- 27 FAQs - Should I Work With an Agency?
- 28 FAQs - How Do I Deal With Difficult Clients?
- 29 FAQs - When Should I Charge My Client?
- 30 FAQs - How Do I Build a Rolodex?
- 31 The Final Nugget
Module 9: YOUTUBE
- YouTube Download Guide
- How to get the JOKER look Part 1
- How to get the John Wick look
- Juice it up | Commercial vs. Film Grading
- How to get the James Bond look
- Grading YOUR Footage Planet X
- How to get the PARASITE look
Module 10: PROFESSIONAL WORK
- XXIO - TV COMMERCIAL
- XXIO - How to get the Commercial look
- LAZEM - MUSIC VIDEO
- LAZEM - How to get the Music Video look
- Life on the Line - DOCUMENTARY
- LIFE ON THE LINE - How to get the Documentary look

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